
~ Color Palette, LH Photo Credit
You might remember him from your childhood karate class, or was that airbrushing with crack-heads? Better yet, you might remember him from ASU where he wandered his way through art classes and earned himself a studio with a sofa in it. I've heard that he slept there from night to night, particularly when he couldn't get home from the bars. Yet another way you might know Chris is as the persona Chelius; white shirt sitting above madras shorts and flip-flops, "Chelius" scrawled out in Sharpie across the slender chest, beer in hand. Others might remember Chris as the roommate, the co-president at Eye Lounge, the Assistant Director at Gebert Contemporary (formerly Chiaroscuro Gallery), or the weekly tormentor of karaoke nights at the Yucca Tap Room. The fact is, he is all these things, and many more. His life so far has sprawled across art books and the Southwestern USA, international travels and internet art fights (anyone remember Colin Chillag?), Self exploration and abstract conceptualization.

~ Abstract painting IX (oil on fridge door), by Chris Santa Maria
Chris recently relocated, with love, from his comfortable homestead of Scottsdale/Tempe to the no-clean and mean city streets of New York City. I imagine that the change has maintained the exact opposite of personal infallibility. Where I left Arizona for my family and home state of Oregon, with it's fertile soils, Chris ripped his roots out of the Sun Burnt desert in an attempt to set them down amongst street signs, A-trains, and concrete paths. One can only speculate that this change helped bring on the current metamorphosis found in his work. After toiling over several series, and several years of self portrait process, he now seems to be focused on a mishmash of abstraction and found objects, thus projecting the inner mind rather than the outer body.
Of course these are only theories of an ever supportive and always disclosed friend. Not to mention a friend with little to no fine art back ground, but who cares? It's true, I'm biased and I've been loving where Chris has recently been heading. The chosen colors and selected shapes draw on both personal and national narratives, while abstraction pulls on the process of thought and the use of city bound historical objects suggest deeper historical values.

~ Abstract Painting .VI (process, image to paint), by Chris Santa Maria

~ Abstract Painting VII (oil on inside of glass), By Chris Santa Maria

~ Abstract Painting VI (oil on mixed media), By Chris Santa Maria
I currently have three CSM peices hanging on the wall, and while I'm sorry to say that none of them are quite as good as these displayed here, each holds a special meaning (El Parque!!!, PABST) and I'm proud to put them on the daily blast. Furthermore, they are issues of the past and what I'm interested in is the future. Chris is currently working high on the island, while embracing the art trade and moving prints (by some of the most important visual artists of the 20th century) for a gallery on the upper east side. He continues to paint in the exceptionally small but lovely (I've seen pictures!) living space that both him and his special lady friend share. Sleep, paint, drink, eat, kiss a little bit, sleep , eat paint. I'm pretty sure that's how it goes. Although, there might be a little more kissing, I just can't be sure.
Chris Santa Maria Web Site: http://www.chrissantamaria.org/
Chris Santa Maria Blog: http://chrissantamaria.blogspot.com/

~ Abstract Painting X (oil on silver mirror), By Chris Santa Maria

~ Abstract Painting .XI (oil on mirror, reflecting the NY sky), By Chris Santa Maria

~ Color Palette II, LH Photo Credit

~ Chris In Studio, LH Photo Credit